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The work of coils making rings, rings making chain, and the chain forming a circle resembles the vein of truth that can be found when trying to find the great value of family and society. And it also shows that in the presence of the Absolute, we are all beings with the same form and breakage regardless of our individual abilities and circumstances.
The chain series is based on Chain at 37.


The bands overlap and form the entire shape with only the band without other supports. In other words, thin and long bands overlap each other and support each other. The rolled up bands look like a cocoon in which the inner silkworm spun threads to protect itself.


This egg-shaped object is between indifferent gray and dark beige, like a stone that has been worn out for a long time, and no expression can be read. There seems to be no sign of any movement. They just cling to each other and lean on each other as if they had gathered together to avoid the cold. As if dead or without life in the first place.
However, the unit has the shape of an egg. You can’t see what’s inside first, but you can tell that within the opaque shell, life is preparing for the moment of birth.



This jewelry work is derived from BROKEN of my fine art, and it represents that overcomes breakage and grows into a new beauty. It is not just fashion jewelry made of expensive metals or jewel stones, but art jewelry that uses the beauty of ‘breaking’ as a material.






Even if a single bead is very small and has little presence, it is remembered by being repeated and seemed to grow like a living thing. When many beads are threaded, the viewer receives visual stimulation beyond simply seeing. Because of the inner energy of the beads, these might have been used as a spiritual tool since ancient times.





In Korea, there is a style of historical ceramics that arose and developed according to the social conditions of each era. Ceramic styles such as white porcelain, celadon porcelain, buncheong porcelain, and Onggi have become representative Korean icons that express the identity of the Korean people by reflecting the sentiments, culture, religion, and politics of each era.






Raku is an abbreviation of Japanese Raku Yaki, which is a compound word of pleasure and roasting. The biggest characteristic of Raku is that it accidentally cracks the glaze and injects smoking. This accidental, asymmetric, and natural effect is a technique that shows the original formativeness of ceramics as a great attraction of Raku.



